NATE_1.jpg
  • Convoy_2.jpg
  • Convoy_3_Maps_copy.jpg
  • Untitled-16x18.jpg
  • Armada_13.jpg
  • Armada_12.jpg
  • Nova_3.jpg
  • 220.jpg
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  • IMG_0544.jpg
  • IMG_0785.jpg
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  • skyward.jpg
  • install.jpg
  • installation.jpg
  • Armadas.jpg
  • Nova-2.jpg
  • 8-Jet-205.jpg
  • 8-Jet-212.jpg
  • 21-Jets-109.jpg
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  • Armada-10.jpg
  • Convoy-1.jpg
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  • Wood-Jets.jpg

Statement

My work with origami expresses my need to bring order and meaning to randomness. When I see the formations pointing skyward, I imagine the jets poised to launch in an exodus toward a utopia in which humanity is just and beautiful. Although the jets make sense en masse, each as an individual has a single and unique identity represented by its pattern and color. However, the jet's shape, rather than its individual design, brings uniformity and camaraderie to each formation.

The thousands of origami jets I fold are done in a technique that my older sister taught me during my childhood. The paper that I fold comes from various found and discarded sources, such as magazines, old science books, and technical how-to manuals. I flip through each source, removing only the pages that have an interesting or striking design element. Sometimes I feel a strange sadness for the books and magazines that get destroyed for the sake of my art, but I have to remember that these sources will most likely be destroyed anyway. The negative space between the jets reveals the shape of an inverted jet and reminds me of all of the books I've dissected. I look at the formations as a whole, and in the negative space I see a fleet of phantom jets, pointing downward, representing the jets that could have been, the pages that I didn't choose, and the shells of the books I leave behind.

Bio

Nate Moore is a self-taught artist and Little Rock, Arkansas native. He grew up in Russellville, Arkansas, a bucolic town nestled in the Arkansas River Valley an hour north of Little Rock and home to the largest nuclear power plant in the South. Moore embarked on a career in art and shortly after totaling his 1979 model Pontiac Firebird in front of Little Rock pharmaceutical magnate Jennings Osborne’s house ten years ago. The artist admits if he hadn’t of crashed that car, he would’ve never relocated to the capitol city, where his mother worked as art director for the Arkansas Art Center.

b. 1978, Russellville, Arkansas

Lives and works in Little Rock, Arkansas

Selected Exhibitions

Solo Exhibitions

2009
Airport Atrium Gallery, Hartsfield-Jackson International Airport, Atlanta, GA
2006
Found and Folded; Get This! Gallery, Atlanta, GA
2005
War and Health; Get This! Gallery, Atlanta, GA

Group Exhibitions

2009
Recent Works, Robert C. William Paper Museum at GA Tech, Atlanta, GA
2007
From A Thousand Pages...; Pentimenti Gallery, Philadelphia, PA
2007
Affair at the Jupiter Hotel, Portland Art Fair, Portland, OR
2006
Pen Pal, first edition; Get This! Gallery, Atlanta, GA
2006
Wigwam; Old 4th Ward, Atlanta, GA (Curated by Scott Ingram)
2005
Toy Stories; Yo Yo Gallery, Atlanta, GA
2005
Aurora Coffee, Virginia Highlands, Atlanta, GA
2005
Opening exhibition for Get This! Gallery, Atlanta, GA

Charitable Events

2006
Art Papers Art Auction
2005
Pin-Up Show, Museum of Modern Art Georgia
2005
Art Papers Art Auction

Press

  • The Atlantan December 2010 “The Jet Setter” by Felicia Feaster
  • Examiner May 2009 "Paper Planes Over Korea: Jiha Moon and Nate Moore's Recent Work by Candace Bailey
  • Philadelphia Weekly Press October 2007 “Forget the Pumpkin Pie, Check out November's Art” By R.B.Strauss
  • Creative Loafing January 2007 “Looks Good on Paper” by Felicia Feaster
  • Creative Loafing December 2006 “Winged Migration” by Felicia Feaster
  • Sunday Paper December 2006 “You've Got Mail” by Natalie Bennett